The Night Journey in emotional state of Darkness kernel of Darkness, by Joseph Conrad, has been illustrated as a calamitous journey or a story of initiation, in which man proceeds to make out preceding from innocence and deeply appreciates goodness as he becomes introduce with the nature of evil. The conception of darkness, which is emblematic of evil, is presented metaphoric every(prenominal)y, literally, and notably psychologically. The romance may be described as an expedition into the mind, which the reviewer vexs by dint of Marlow, the protagonist. As a night journey, the novella informs the reader that all men are capable of abhorrence, of abomination. Conrad effectively illustrates one mans acquaintanceship with evil through the literary concepts of characterisation, symbol, writer in context, political orientation and, reader positioning and the point of view.
in that respect are essentially only two characters that are significant to the notions and plot of Heart of Darkness, namely Marlow and Kurtz. The two characters are distinctly different from to each one other, although both are equally characterised with physical and mental traits by Conrad. The reader is involved with the interaction between the two characters. As I support the thesis that man moves from innocence to experience and becomes acquainted with evil in the novella, I have taken the character of Marlow as the embodiment of good, and Kurtz as that of evil, (although not entirely).
        The events of the night journey of Heart of Darkness are described through the character of Marlow who acts as a mediator as he tells the story. Depth and meaningfulness are given in the text, through Marlows function, fortune as a conciousness.
        Even before the journey to the Congo, Marlow provides a sense of depravity when he comments (on page 33) that Africa …had become a place of darkness. Marlow further describes the Congo as …a right on big river…resembling an immense snake uncoiled, with its head in the sea, its soundbox at rest curving afar over a vast country, and its tail lost in the depths of the land. The winding rhetoric of the river is symbolic of an entrance to a mysterious place, a shapely body that is usually beautiful; and so Marlow says that The snake had attract me, (pg 33).
        In Chapter One of the novella, when Marlow encounters the two women knitting dusky wool, he is troubled by their swift and indifferent placidity (pg 36) and, their unconcerned wisdom (pg37). The knitters are characters who hold symbolic roles as discretely sinister figures linked with darkness. When Marlow meets them he says that an eerie feeling (pg37) came over him. He describes one knitter as uncanny and fateful (pg37), and had the notion that the two women were guarding the door of Darkness, knitting the black wool as for a warm cash in ones chips… (pg 37). It is symbolic that the wool the women are knitting, is black; a colouring material often prescribed as something sinister, dark and evil. It is often estimation that evil deeds are committed during night; darkness. To lift the notion of darkness, Marlow associates the reside (where he encounters the knitters) with darkness he remarks, the house was as still as a house in a city of the dead (pg 37). The knitters guarding the door of darkness are often seen as the Fates in Greek mythology, the goddesses who spin threads of mens lives and therefrom determining their fate.
        The natives in the text hold symbolic roles as they are mistreated by whites, generally caucasians who possess office staff over them. The evil in such acts is one of the discoveries of Marlow.
The natives on a lower floor the control of white authorities are depicted as products of their mistreatment which is notable when Marlow describes their condition in Chapter One, They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages (pg 43). The natives, who are referred to as savages in this quote appear to lack expression and display a deathlike indifference which may be a result of evil actions enforce on them. On this same page, Marlow pronounces imagery of hell when he says, Ive seen the dickens of violence, and the devil of greed, and the devil of hot desire; entirely, by all the stars! These were strong, lusty, red-eyed devils, that swayed and drove men - men, I tell you. Marlow is acquainted with the evil of men, because he further states, I foresaw that in the blinding sunlight of that land I would become acquainted with a flabby, pretending, weak-eyed devil of a rapcious and pitiless folly. Devils come from Hell, a place which is dark and sinister. It is the weak-eyed devil that Marlow refers to white men as; thus providing the reader with the notion that all men are capable of depravity, evil, abomination.
Through the events in which Marlow is acquainted with evil, he sheds his innocence in order for experience. Another event in which the protagonist witnesses evil is when he encounters dying natives who were not enemies [and not] criminals, but were left to die, is described in Chapter One, when he describes the incident: [they were] black shadows of disease and starvation, lying confusedly in the greenish gloom. There is an obvious connection between the black shadows and gloom , with darkness.
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