HOW TO READ THE POEM CHRISTABEL by Coleridge
How the poem withdraws possibility of straight-forward tuition
1. terminate or fragment
2. Narration
3. Reflexivity: all characters hit the books Geraldine
A POEM active THE UNCONSCIOUS
1. Freudian Slips
2. Proposal - the poem slips, moves into dangerous territory and rec everyplaces in Part 2.
STRUCTURE
1. Patterns of opposition
2. Mediating terms and taboo
3. From Parts to wholes: incomplete - to - complete
MaleFemale
1L X
2X L
L = Leoline
X = Unknown
What does Christabel see when Leoline undresses? It is exchangeable the speaker of the poem has had a spell cast over them too.
REFLEXIVITY: all the characters in the poem bugger off trouble reading Geraldine. Christabel naïve reading not correct, but cant read Geraldine. mental term - repression (hysteric), something she doesnt know about her but her unconscious knows.
GERALDINE AND CHRISTABEL push through AS A SNAKE AND A DOVE.
The dream of necessity to be interpreted and misinterpreted. Dream is about what happened in Christabels tail that evening. All read pathologically; as repressed, repeated and concealed.
PART TWO
Not universe able to say what one would like to say. The speaker isnt specifically accounting for Leolines behaviour. Christabel is a poem about the unrepresentable (unconscious). Can you read the unconscious? He thinks so.
Conclusion of Part Two is a paraphraxis or Freudian slip.
What they meant to say is contradicted by what they say. Product of a gaga intention. In order to speculate on the relationship among the story and the life of the poem.
Basic Structure: bits are related to other bits.
Christabel: Christ - Satan - Snake } Geraldine
Abel - Cain - Mark }
Jane Nelsons article looks at this in more detail in Studies and Romanticism, Vol. 19, no. 3
Oppositions:Light/DarkRising/Falling
PART ONE
Christabel moves from...
nice guide to understanding the poem... clears a lot of things up and helps one to be able to grasp whats going on in the poem...
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