Calligraphy - The Islamic Art

Calligraphy - The Islamic Art

Before Mohamed Zakariya copies the words of the Koran, he washes his face, hands and feet as if he were going to pray. The pen he writes with is made from a beating-reed instrument that was buried in manure for four years to action the correct red colour. His ink is soot ground to powder, a process he make outs as shoulder-busting labour. The paper is dyed with tea, surface with egg whites, which makes it easier to correct mistakes, then set aside to mature for at least a year. Muslim calligraphers have worked this modality since the 7th century.

The results can be beautiful but whitethorn seem caught in the past when viewed in Letters in Gold: Ottoman Calligraphy from the Sakip Sabanci Collection, Istanbul at the Los Angeles County Museum of Art with May 17. Zakariya, though, is among a growing number of American Muslims who ar keeping Islamic calligraphy alive. It was the highest form of Islamic art, Linda Komaroff, LACMA participator curator of Islamic art, says of the Ottoman style. Works in the describe date from the 15th to the 20th centuries. The people who carry on the tradition now tend to love the act of writing. They may come to it from a devotion to the word and what it can express. And they regard some familiarity with Arabic, the liturgical language of Islam.

For Muslims, Arabic is sacred. Jews hold Hebraic in the same esteem; Hindus revere Sanskrit. In many religions, the very act of writing is considered holy. While Muslims who hand-copy the Koran describe it as a spiritual occupation, Christians feel the same active the Bible, Jews about the Torah, Hindus about the Vedas, the four Hindu texts of devotional hymns. intimate religious traditions, people believe the sacred word...

If you want to stick a full essay, order it on our website: Ordercustompaper.com



If you want to get a full essay, wisit our page: write my paper