Piano and Drums is a poem which basi foreshadowy themed and created by two disparate and opposing finis in the poem, the piano culture and drums culture which suggested by the poet whenThe culture of drums is straight forward, and direct, and this just like the land and culture in the ancient years which before civilization. mess do not hide their real selves, showing and intercommunicate without pretending as well as showing what they sincerely are in the wordings, ?raw?, ?primal?, and ?rugged?. They call out for danger by beating drums as to take to task others, although the world is competitive and redoubted. The culture of drums is primitive, simple and natural which unfeignedly shows the real side of human.
However, the culture of piano has just interpreted the opposite seat with the culture of drums. This is described as a complex culture in the modern city which was genteel years ago in the poem which we could saw in the wordings, ?concerto?, ? inveigle diminuendo?, ?counterpoint?, ?crescendo?, ?labyrinth? and ?daggerpoint?. Feelings are complex and hard to understand, people hide their feelings in their judicial decision by many pretentious motion. They create some ?coaxing diminuendo?, ?counterpoint? in order to make their lives to a greater extent civilized.
However, in our surprise, the ending of this culture is just losing themselves and mind in the culture which described in the poem, ?But lost in the labyrinth of its complexities?.
Also, the use of alliteration in the last stanza ? ?And I lost in the morning mist?, and the sentence ? fluid in the mystic rhythm?, has helped expressing the hesitation and uncertainty nuance of the poet which he felt confused while living among the culture of piano and drums, the real and simple but dangerous world and the civilized but pretentious world. He knew that if he takes the...
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