Symbolism in Fuentes Aura Essay -- Carlos Fuentes, Aura Essays

On the surface, Fuentes airwave is a very strange and supernatural record book. It draws you in and keeps you there, forcing you to read the book to its very end. Just below the surface, a world of symbolism, words and parallels lead to a greater understanding of what is hap throughout this captivating tale. Skimming the surface of the story, an abundance of symbols can be signaled out, solely a recurrence of symbols is very important. One of the most normal symbols found in this story is the dimness of Senora Consuelos old colonial mansion. The put forward is so dark the characters must learn to maneuver by fathom and touch. The darkness sets the tone for the whole story. Senora Consuelos room is not bathed in demoralise but filled with perpetual shadows. Of course darkness and shadows ar a staple of the Gothic, but darkness could also be suggestive of the unexplored or not being able to think clearly. Shadows could be interpret as that which is clouded, hard to grasp, or just beyond clear vision. Did the darkness and shadows contribute to Felipe?s state of mind and make him more hypersensitised to Senora Consuelos will? The rooms where the action of a story takes place are also very important. Some the rooms used in the book are bedrooms, the dining room, the parlor, and the enclosed garden patio. The first room we take to inside of this old house is the garden patio. This room is interesting because the timbre from the patio is always associated with the title character. Felipe looks for her in this garden he smells the patio plants in her hair. Symbolically, the garden can be associated with the mind, with the unconscious, or it whitethorn hold in you clues to your own inner state. The plants, flowers, and fruit found in the garden may also enhance t... ...book. These symbols and recurrences are not coincidental or superficial, but upon investigation, give deeper insight into how deeply the mindset of our main character was affected. We direct know that Felipe had almost no choice and was lulled into this household. Then there is a plausible explanation about the true relationship between Aura and Senora Consuelo. This book turns out to be a very strange bearing/death cycle that still leaves questions that need to be answered. Work CitedFuentes, Carlos. Aura. Trans. Lysander Kemp. modernistic York Farrar, Straus and Giroux, 1981.Fuentes, Carlos. Worlds Apart. Modernism/Postmodernism. Ed. Peter Brooker. London Longman, 1992. 244-46.Gillespie, Kathleen A literary Legend Speaks ? Carlos Fuentes at the Askwith Education Forum 1 de Diciembre de 2003http//www.gse.harvard.edu/news/featrures/fuentes12012000.html