Convention of architecture Diagrammatic Transformation of Architecture Research Paper

Convention of architecture Diagrammatic Transformation of Architecture - Research authorship ExampleThe publisher also provides an explanation of the tradition of architectures predilection to the convening of the draw. A detailed description of how this idea diagram has been critiqued through a manifestation in contemporary projects is provided. Finally, the paper provides theory analysis to stake a new position in the contemporary architecture field. A diagram is simply an illustrative figure that offers a general organization or an outline of an object, barren of representing the precise appearance of it, in order to specify the shape and the relations of the different parts of the object. It is a technique utilized to help illustrate what people argon thinking in their heads (Reynolds 11). Ever since the 1980s, the convention diagram has been the favored method for theorizing, communicating, making and researching architectural designs, projects and ideas. Therefore, the rise of diagrams, in preference to the model or drawing was a major novel development in the process of design in the easy twentieth and early twenty-first centuries. Classical architecture is simply the architecture of ancient Rome and the architecture of ancient Greece, as well as the architectural style(s) influenced by those it is the architecture of classical antiquity. Classicism in architecture stresses on geometry, proportion, symmetry as well as the regularity of parts as they are illustrated in the architecture of Ancient Greece and Rome. ... fancy 2 Diagram of the Parthenon The diagram of the Parthenon above illustrates how the way the Parthenon Frieze, in blue, ran around the architrave on the inner rows of the columns. It is of note that the frieze was a sequence of, bas relief stone picture carvings that show dissimilar people partaking in the Panathenaic Festival Procession. In regards to the tradition of classicist architectures orientation to the convention of dia gram, various classical personalities such as Vitruvius, Philibert de IOrme and Leonardo Da Vinci. Figure 3 Ampiprostyle tabernacle and diagram of winds The figure above shows Amphiprostyle Temple. On the right is diagram of winds. Philibertde IOrme Architecture Rouen 1648. The diagram of winds figure resembles that in Vitruvius for perfect city plans, as well as the illustrious renaissance scheme of man as a measure of things by Leonardo da Vinci. It illustrates an obsession with the centralized plan. Figure 4 Vitruvius diagram of the winds Vitruvius who flourished during the late first century BCE describes 8 principal winds, although he noted that on that point are many other winds, though somehow dissimilar from the major 8 winds. He relates a list of 2 variations on either side of the 8 principal compass yielding up a wind rose comprising 24 winds. The winds are easy to draw since they are spaced as at 15 from one another. Other than wind direction, Vitruvius also used diagra m to show town planning expressing his ideas of ideal city. Other than Vitruvius, Leonardo da Vinci also flourished as far as classicism architecture is concerned. Figure 5 Vitruvian Man by Leonardo da Vinci, 1490 Leonardo da Vincis